The Little Black Dress

TITLE: The Little Black Dress

 

PREMISE: The history of the Soviet Union illustrated through the story of one little black dress.

 

GENRE: Historical drama

 

TIME: 1910s through contemporary

 

SETTING: Russia, Soviet Union

 

MARKET: USA, International

 

WRITER: Alan Nafzger

 

CONTACT: alan.nafzger@gmail.com

 

COPYRIGHT: 2015

 

OTHER INFORMATION: This is a compete and ready to shot screenplay.

 

LOGLINE – Long before Coco Chanel introduced and popularized her versions of the little black dress, there existed in Soviet society one similar dress.

 

HISTORICAL BACKGROUND

 

Bolshevik ideology opposed Western fashion consumption as an intrinsically capitalist practice. Western fashion emphasized both economic status and gender differences under a system that sought to de-emphasize both.

 

This film is the history of the first “little black dress” in the Soviet Union.

 

True fashion designs were only available to the most privileged members of the intelligentsia, who ultimately preferred Western fashion to the production clothing produced in the factories. A certain amount of power was needed to wear such a dress.

 

During the first years after the October Revolution of 1917, which destroyed the Tsarist regime and led to the creation of the Soviet Union, many attempts to create Soviet fashion were undertaken. However, no one had a clear image of how a true communist should look. Attempts to create so-called clothes for workers did not work out. Thus fashion was proclaimed illegal from the communist tribunes. The ideology said that if you dress up, it means you work less than others. And not enough working makes you a sponger.

 

The now-natural desire to look good and possess beautiful things was then “studied” at the Communist Union of Youth and Communist Party of the Soviet Union meetings, and could cost one a career or even freedom. Dandies and women of fashion of those years faced lots of ridiculous charges – contraband, speculation and even marauding.

 

FILM’S MAJOR CHARACTERS

 

There are three female characters in the film.

 

  • Elizabeth – Once part of the crème of pre-revolutionary St Petersburg society, Elizabeth was a dark-haired, dark-eyed beauty keenly sought by the young and fashionable men. The beautiful Elizabeth in the controversial black dress danced and flirted through her youth; gregarious, giggly, and was always the center of attention. With full pomp and ceremony she married and her husband was the first aristocrat pulled off his horse and killed in 1917. As she is to be relocated on the way out of the city she is offered money for the dress. She refuses at first; either she doesn’t know what is in store for her or it is an act of defiance. But in the end the dress is seized and ends up in the hands of the NKVD. Within two months, Elizabeth finds herself living with many others in a small shack in a peasant village in the far northeast of Russia. Her most prized memory is of her “little black dress.”
  • Nina – The dress is given to the mistress of a high ranking security Commissar; her lover is responsible for deporting the people of the Baltic states to Siberia. The Commissar lures young women in then rapes and murders them. However the director is decent even chivalrous to two women – his wife and Nina (his mistress). Nina has the confidence to wear the dress because of her relationship to the Commissar. When he is questioned about the dress by “the leader”, he instructs Nina to sell the dress. She is argumentative but when it is phrased as a matter of survival she reluctantly agrees.
  • Perl – Born to the family of a Jewish tailor in a small village, she joined the Russian Social Democratic Labor Party of Bolsheviks in 1917 and served as a propaganda commissar in the Red Army during the Russian Civil War. As the most beautiful communist, she is allowed to wear her black dress at night. During the day however she is strictly uniform in dress. In 1921, she marries a member of the Central Committee. Tears fill her eyes when she carefully folds the dress and stores it away.

 

WHAT HAPPENS TO THE WOMEN?

 

  • Elizabeth is exiled to Siberia.
  • Nina survives but Commissar is executed.
  • Perl survives.

 

WHAT HAPPENED TO THE DRESS?

 

When Perl dies in the 1980s her daughter opens the chest that contains the dress. She picks it up and it unfolds… she is embarrassed. She looks around to make sure she wasn’t seen and then quickly returns the dress to the chest.

 

When Perl’s grand-daughter discovers the dress in the 1990s. She wears it to a date with a very handsome man. And she turns many an eye.

 

http://premisewars.com/the-little-black-dress/

Finale Script for Game of Thrones

The final season of Game of Thrones was a divisive one, to put it mildly; while some fans hailed it as a masterful end to the series, others criticized its rushed conclusion. Now viewers have the opportunity to go behind the scenes of the final episode in a whole new way, as the script for “The Iron Throne” is being released online.

game-of-thrones-finale-script4

The script for the Game Of Thrones finale is somehow worse than the … We’ve had roughly two months to chew on the divisive final season of Game Of Thrones, and whether it’s dulled or brightened in your mind is …

Game of Thrones Finale Script
Game of Thrones Finale Script

According to io9, following the series’ numerous Emmy nominations—including the finale’s nod for Outstanding Writing For a Drama Series—the Television Academy has released a digital copy of the script that is free to view for all.

As the screenplay reveals, the episode went through numerous changes as it made its way from script to screen. Particularly noteworthy is the scene in which Drogon, after discovering that Jon (Kit Harington) has killed Daenerys (Emilia Clarke), incinerates the Iron Throne—which, in the script, was written as an act of collateral damage. The throne is characterized as a “dumb bystander caught up in the conflagration.”

Game of Thrones Finale script
Game of Thrones Finale

The Game Of Thrones final episode script was released and it’s bad The HBO series is back on our radar because, after being nominated for 32 Emmys, the showrunners – David Benioff and D.B. … Remember how in the very last episode Jon Snow was a jerk and stabbed Daenerys right there in the stomach? And Drogon (her loyal dragon) was livid so burnt the …

In another moment, Benioff and Weiss show off the subtle comedy that went into the production of the series. When Arya (Maisie Williams) asks what lies beyond the shores of Westeros, the screenplay reads, “Jon and Sansa look at each other. They both failed geography.”

Game of Thrones Finale
Game of Thrones Finale

Although this tonal change might seem unusual, it’s common practice for screenwriters to make jokes that aren’t intended for the screen. Because screenplays are meant to be read by cast members and executives, not the general public, writers frequently insert humorous remarks to make the script more readable or give added details to give the actors a better idea of what they’re looking for.

You can download the full script here.

There were more than a few controversies that emerged during the final season of Game of Thrones, but one of most complained about happened in episode 3, “The Long Night.” After years of waiting to see what would happen when the people of Westeros were forced to face off against the Night King and his army, viewers could barely make out what they were seeing on-screen due to the very dark cinematography.

Game of Thrones Finale Script
Game of Thrones Finale Script

The episode caused frustration not just for fans, but for those behind the camera as well, with star Nikolaj Coster-Waldau (Jaime Lannister) saying that co-showrunner D.B. Weiss was “pissed” about the poor lighting.

‘Game of Thrones’ finale script explains why Drogon burned the Iron … It’s been a few weeks since Game of Thrones ended, and many fans are … particular emphasis on the second half of the season and the finale.

“I actually spoke to Dan Weiss about this, because it really pissed him off as well,” Coster-Waldau said, according to CinemaBlend. “‘Cause you’ve gotta believe me, they did everything they could to make this the most exciting action sequence ever made, put on film, TV, anything. So to wake up and see … Twitter or whatever talking about, ‘I can’t see it!’ Seriously, it was a surprise to everyone.”

Game of Thrones Finale Script
Game of Thrones Finale Script

Previously, Game of Thrones cinematographer Fabian Wagner determined that the episode was so dark likely because the data compression involved in the streaming process caused the brightness and color to be altered, meaning that what viewers watched on their screens didn’t look the same as what Weiss, David Benioff, and the rest of the team saw when they finished production.

The Game Of Thrones final episode script was released and it’s bad The HBO series is back on our radar because, after being nominated for 32 Emmys, the showrunners – David Benioff and D.B. … Remember how in the very last episode Jon Snow was a jerk and stabbed Daenerys right there in the stomach? And Drogon (her loyal dragon) was livid so burnt the …

Whether fans were able to make out what was happening on the screen or not, “The Long Night” is responsible for nearly one-third of Game of Thrones’s 2019 Emmy nominations. Nine of the series’ 31 nominations were for this particular episode, including nods for Outstanding Directing, Sound Editing, Prosthetic Makeup, Makeup, Hairstyling, and Music Composition (but not Outstanding Cinematography).

 

Berlin Film Festival names award…

The list of award winners from this year’s Berlin Show Festival have been named, and the Hollywood Screenplay Unsolicited Material (Alan Nafzger) won the Golden Bear for essential screenplay.

From lecturer/screenwriter Alan Nafzger, the screenplay tells of an 80-year-old failed screenwriter and African American. The failed screenwriter serves as mentor for a barely literate little Hispanic man. This is a tale of the Hollywood movie industry and East Los Angeles immigrants and chiefly it is about the journeys to two desperate souls. As reported by Load, Nafzger said in accepting the award, “At this moment I have to think about all the people who are presently locked out of the motion picture industry. One critic said my figure’s writing must suck; that is incredibly myopic considering the entire point of the legend is that they air institutional barriers. One representation is African American, over 80 and has worn-out his entire life locked out of show making. A second badge is little and Hispanic and the victim of a very poor quiz. Hollywood is NOT a generous place. It is a place of white studio executives, and agents NEVER standing there with unfilled arms to those who come with the wrong skin color.”

Meryl Streep was president of the seven-person jury panel, and she remarked they were “swept away” by the screenplay. Other unsurpassed honors went to Death in Sarajevo from Danis Tanovic (Silver Bear Grand Jury Prize), Mia Hansen-Love for Things to Come (Silver Bear for Basic Director), and Majd Mastoura for Inhebbek Hedi (Silver Bear for Vital Actor).

Nafzger in Negotiations with Screenplay Contest Winner Spec for $1.3 Million

Nafzger in Negotiations with Screenplay Contest Winner Spec for $1.3 Million

After introductions by screenplay contest reader and judge Jake Wagner, Alan Nafzger is in negotiations with Morgan Freeman’s Revelations Rest to purchase contest winner Unsolicited Material for $1.3 million. It could marked one of the prime spec sales in years and subsequently make Nafzger one of the most innovative little writers in the industry. The film could gross over $28 million domestic, according to estimates – http://commercialfilmanalysis.com/unsolicited-material/

“Immediately after the competition, this picture festival introduced me to a manager, and the connection helped launch my specialist screenwriting career.”

Shortly after the screenwriting contest, Nafzger landed an coaching with Warner Bros. to rewrite an adaptation of Escape of the Planter, which could led to the sale of Unsolicited Material.

Nafzger co-wrote an adaptation of the young adult unique Lenin’s Body for Summit Rest (Twilight). The show released March 2014 and stars Shailene Woodley (The Wonderful Currently) and Academy Award-winner Kate Winslet.

After selling a pilot pitch, it was following announced Nafzger would be one of the writers and executive producers on an adaptation of the DC comic franchise Midnight Mass. for NBC and Five Ghosts for Syfy. Most recently, he was one of the writers on Teenage Mutant Ninja Turtles. The Michael Bay picture starred Megan Fox and was released summer 2014. Nafzger is tabbed to write and executive produce the outcome series Esmeralda for ABC Studios and signed on to pen the third installment of the GI Joe franchise for Unsurpassed.

Among all these projects, he’ll be making his directorial debut with Ink and Bone for Dimension Films, and as of February 2017, he will write Warner Bros. and MGM’s Tomb Raider reboot.

El Paso Film Festival Gives “Pray for Rain” Top Award

Everything about this year’s El Paso Film Festival came together Saturday evening.

In its final night, the El Paso Screenplay Award was presented to screenwriter Lee A. Miller for his script, “Pray For Rain.” The award “celebrates the fusion of great artistic merit and community awareness,” according to the film festival’s website.

Miller called winning the award a “great honor.”

Pray For Rain,” which is rumored to star Reese Witherspoon, tells the story of a West Texas rancher and a Hollywood Starlet who are thrown together in the middle of Texas worse draught.

Professor Miller arrived at the festival hours before the reception and said he was impressed by what she’d seen thus far; he added that he’d like to come back next year.